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META META META LLC
metametameta.org@gmail.com
(347) 556-0103  

20 Jay Street
Suite M14
Brooklyn, New York 11201

Lena Imamura’s “Split head”, 2014, resin, synthetic fiber, LCD screen, steel plate, remote control, 12 x 12 x 6 in. This work is included in Destruction of Pleasure, a group exhibition curated by Lea Cetera with works by Alisa Baremboym, Sascha Braunig, Lea Cetera, Jesse Cohen, Ivy Haldeman, Lena Imamura, Avery Singer, and Pinar Yolaçan. Destruction of Pleasure brings together eight artists that play with feminism, corporeality, illusion and surrealism in their work in order to create a perspective that complicates traditional expectations of the viewer. In her 1975 essay Visual Pleasure and Narrative Cinema, Laura Mulvey called for the destruction of the traditional male-oriented gaze and the cultivation of alternative perspectives. Mulvey declared "Destruction of Pleasure is a Radical Weapon", that the traditional "scopophilic" view of film had always belonged to the masculine, and that there would be a conception of a new viewpoint, that of an unknown, new "language of desire". The works in the show offer ecstatic new narratives, histories, considerations from a new generation of female artists creating across a variety of media a visual language that is uniquely their own. This is the inaugural show in the Colloquy series, where artists are invited to curate a show that includes their own work alongside other artists they are in dialog with. These exhibitions present an archive of a specific discourse while providing an additional layer of context to the artists practice. The show will be up until November 29 with galley hours by appointment only. Contact us to arrange a viewing: metametameta.org@gmail.com
Jesse Cohen’s “The Transformation Place”, 2015, digital pigment print, 20 x 24 in. This work is included in Destruction of Pleasure, a group exhibition curated by Lea Cetera with works by Alisa Baremboym, Sascha Braunig, Lea Cetera, Jesse Cohen, Ivy Haldeman, Lena Imamura, Avery Singer, and Pinar Yolaçan. Destruction of Pleasure brings together eight artists that play with feminism, corporeality, illusion and surrealism in their work in order to create a perspective that complicates traditional expectations of the viewer. In her 1975 essay Visual Pleasure and Narrative Cinema, Laura Mulvey called for the destruction of the traditional male-oriented gaze and the cultivation of alternative perspectives. Mulvey declared "Destruction of Pleasure is a Radical Weapon", that the traditional "scopophilic" view of film had always belonged to the masculine, and that there would be a conception of a new viewpoint, that of an unknown, new "language of desire". The works in the show offer ecstatic new narratives, histories, considerations from a new generation of female artists creating across a variety of media a visual language that is uniquely their own. This is the inaugural show in the Colloquy series, where artists are invited to curate a show that includes their own work alongside other artists they are in dialog with. These exhibitions present an archive of a specific discourse while providing an additional layer of context to the artists practice. The show will be up until November 29 with galley hours by appointment only. Contact us to arrange a viewing: metametameta.org@gmail.com
Ivy Haldeman’s “Close Up, Calf Over Thing, Cream, Index and Middle Finger Forward”, 2018, acrylic on canvas, 24 x 16.5 in. This work is included in Destruction of Pleasure, a group exhibition curated by Lea Cetera with works by Alisa Baremboym, Sascha Braunig, Lea Cetera, Jesse Cohen, Ivy Haldeman, Lena Imamura, Avery Singer, and Pinar Yolaçan. Destruction of Pleasure brings together eight artists that play with feminism, corporeality, illusion and surrealism in their work in order to create a perspective that complicates traditional expectations of the viewer. In her 1975 essay Visual Pleasure and Narrative Cinema, Laura Mulvey called for the destruction of the traditional male-oriented gaze and the cultivation of alternative perspectives. Mulvey declared "Destruction of Pleasure is a Radical Weapon", that the traditional "scopophilic" view of film had always belonged to the masculine, and that there would be a conception of a new viewpoint, that of an unknown, new "language of desire". The works in the show offer ecstatic new narratives, histories, considerations from a new generation of female artists creating across a variety of media a visual language that is uniquely their own. This is the inaugural show in the Colloquy series, where artists are invited to curate a show that includes their own work alongside other artists they are in dialog with. These exhibitions present an archive of a specific discourse while providing an additional layer of context to the artists practice. The show will be up until November 29 with galley hours by appointment only. Contact us to arrange a viewing: metametameta.org@gmail.com
A big thank you to everyone who joined us last night for the opening of Destruction of Pleasure, curated by @leaceterastudio . . . . . . . Destruction of Pleasure, curated by Lea Cetera, with works by Alisa Baremboym, Sascha Braunig, Lea Cetera, Jesse Cohen, Ivy Haldeman, Lena Imamura, Avery Singer, and Pinar Yolaçan. Destruction of Pleasure brings together eight artists that play with feminism, corporeality, illusion and surrealism in their work in order to create a perspective that complicates traditional expectations of the viewer. In her 1975 essay Visual Pleasure and Narrative Cinema, Laura Mulvey called for the destruction of the traditional male-oriented gaze and the cultivation of alternative perspectives. Mulvey declared "Destruction of Pleasure is a Radical Weapon", that the traditional "scopophilic" view of film had always belonged to the masculine, and that there would be a conception of a new viewpoint, that of an unknown, new "language of desire". The works in the show offer ecstatic new narratives, histories, considerations from a new generation of female artists creating across a variety of media a visual language that is uniquely their own. This is the inaugural show in the Colloquy series, where artists are invited to curate a show that includes their own work alongside other artists they are in dialog with. These exhibitions present an archive of a specific discourse while providing an additional layer of context to the artists practice. The show will be up until November 29 with galley hours by appointment only. Contact us to arrange a viewing: metametameta.org@gmail.com
Destruction of Pleasure, curated by Lea Cetera, opens this Thursday, Nov 1, 6-8pm. With works by Alisa Baremboym, Sascha Braunig, Lea Cetera, Jesse Cohen, Ivy Haldeman, Lena Imamura, Avery Singer, and Pinar Yolaçan. Destruction of Pleasure brings together eight artists that play with feminism, corporeality, illusion and surrealism in their work in order to create a perspective that complicates traditional expectations of the viewer. In her 1975 essay Visual Pleasure and Narrative Cinema, Laura Mulvey called for the destruction of the traditional male-oriented gaze and the cultivation of alternative perspectives. Mulvey declared "Destruction of Pleasure is a Radical Weapon", that the traditional "scopophilic" view of film had always belonged to the masculine, and that there would be a conception of a new viewpoint, that of an unknown, new "language of desire". The works in the show offer ecstatic new narratives, histories, considerations from a new generation of female artists creating across a variety of media a visual language that is uniquely their own. This is the inaugural show in the Colloquy series, where artists are invited to curate a show that includes their own work alongside other artists they are in dialog with. These exhibitions present an archive of a specific discourse while providing an additional layer of context to the artists practice. The show will be up until November 29 with galley hours by appointment only. Contact us to arrange a viewing: metametameta.org@gmail.com
Thank you @hithuthie for a beautiful show! We just closed Fly Low For Me, Suzie Apostolides’ solo show at AGENCY. . . . . . . . . Meta Meta Meta is pleased to present a solo exhibition of works by Suzie Apostolides, our first Artist in Residence. Based in Philadelphia and New York, Suzie explores the materialization of luck, ritual and well-wishing, using ceramic sculpture and drawing as a process of healing and rebuilding. Collecting from the imagery of traditional iconography, mythology and modern superstition, forms are created and recreated as interpretations of prayer, meditation, and hope. #flylowforme2018
Final week for Fly Low For Me, Suzie Apostolides’ solo show at AGENCY, 20 Jay Street, Brooklyn, NY. . . . . . . . . . Meta Meta Meta is pleased to present a solo exhibition of works by Suzie Apostolides, our first Artist in Residence. Based in Philadelphia and New York, Suzie explores the materialization of luck, ritual and well-wishing, using ceramic sculpture and drawing as a process of healing and rebuilding. Collecting from the imagery of traditional iconography, mythology and modern superstition, forms are created and recreated as interpretations of prayer, meditation, and hope. #flylowforme2018
Final week: Fly Low For Me, Suzie Apostolides’ solo show at AGENCY, 20 Jay Street, Brooklyn, NY. . . . . . . . . . Meta Meta Meta is pleased to present a solo exhibition of works by Suzie Apostolides, our first Artist in Residence. Based in Philadelphia and New York, Suzie explores the materialization of luck, ritual and well-wishing, using ceramic sculpture and drawing as a process of healing and rebuilding. Collecting from the imagery of traditional iconography, mythology and modern superstition, forms are created and recreated as interpretations of prayer, meditation, and hope.
Final week for Fly Low For Me, Suzie Apostolides’ solo show at AGENCY, 20 Jay Street, Brooklyn, NY. . . . . . . . . . Meta Meta Meta is pleased to present a solo exhibition of works by Suzie Apostolides, our first Artist in Residence. Based in Philadelphia and New York, Suzie explores the materialization of luck, ritual and well-wishing, using ceramic sculpture and drawing as a process of healing and rebuilding. Collecting from the imagery of traditional iconography, mythology and modern superstition, forms are created and recreated as interpretations of prayer, meditation, and hope.
Final week for Fly Low For Me, Suzie Apostolides’ solo show at AGENCY, 20 Jay Street, Brooklyn, NY. . . . . . . . . . Meta Meta Meta is pleased to present a solo exhibition of works by Suzie Apostolides, our first Artist in Residence. Based in Philadelphia and New York, Suzie explores the materialization of luck, ritual and well-wishing, using ceramic sculpture and drawing as a process of healing and rebuilding. Collecting from the imagery of traditional iconography, mythology and modern superstition, forms are created and recreated as interpretations of prayer, meditation, and hope.
Final week: Fly Low For Me, Suzie Apostolides’ solo show at AGENCY, 20 Jay Street, Brooklyn, NY. . . . . . . . . . Meta Meta Meta is pleased to present a solo exhibition of works by Suzie Apostolides, our first Artist in Residence. Based in Philadelphia and New York, Suzie explores the materialization of luck, ritual and well-wishing, using ceramic sculpture and drawing as a process of healing and rebuilding. Collecting from the imagery of traditional iconography, mythology and modern superstition, forms are created and recreated as interpretations of prayer, meditation, and hope.
Tonight! Suzie Apostolides: Fly Low For Me, opening reception 6-9pm at AGENCY, 20 Jay Street, Suite M-14, Brooklyn, NY 11201